PDF Download The Ballad of the Pirate QueensBy Jane Yolen
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The Ballad of the Pirate QueensBy Jane Yolen
PDF Download The Ballad of the Pirate QueensBy Jane Yolen
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Recounting the stories of two legendary women pirates, a ballad about Anne Bonney and Mary Reade describes their desperate 1720 evening battle with the governor's men while the rest of the crew remained below. Children's BOMC.
- Sales Rank: #1156771 in Books
- Brand: Harcourt Childrens Books (J)
- Published on: 1995-04
- Original language: English
- Number of items: 2
- Dimensions: 11.25" h x 10.00" w x .50" l,
- Binding: Library Binding
- Great product!
From Publishers Weekly
This rollicking ballad springs from an actual incident: captured in 1720 aboard the sloop Vanity when their dilatory mates "below, did drink and sport," the "pirate queens" Anne Bonney and Mary Reade escaped hanging because they were pregnant. Author and artist imagine them later, roughhousing with their grandchildren, while their fellow pirates are fated to sail a ghost ship ("And silver the coins and silver the moon,/ Silver the waves on the top of the sea,/ When the ghostly ship comes sailing in,/ That gallant Vanity"). Yolen and Shannon sail a different course than the one they plotted for the darker and more tragic Encounter (1992). Yolen approaches this almost farcical incident in simple, occasionally rough verse. Ironic in their stateliness, Shannon's paintings-framed, captioned in a scrawled script and otherwise composed to evoke the 18th century-display a sly humor; Mary and Anne in profile "pleading their bellies" before a judge will elicit chuckles. Not for everyone, but offbeat and grimly amusing. Ages 4-12. Children's BOMC featured selection.
Copyright 1995 Reed Business Information, Inc.
From School Library Journal
Grade 3-6?"And silver the coins and silver the moon,/Silver the waves on the top of the sea..." Yolen writes a most unusual ballad of pirate adventure that sings the history of Anne Bonney and Mary Reade, the only 2 women of the 12 pirates aboard the Vanity. They defend the ship from the men of the governor's man-o'-war, Albion, while their captain and the rest of the crew are below drinking rum and playing cards. The females are absolutely the best and bravest of this bad lot. The Vanity is taken; all are brought to trial, but Anne and Mary escape hanging by "pleading their bellies" (claiming they are pregnant), a page taken from history for which Yolen provides notes. Shannon's acrylics are rich, dark, and realistic, and expand upon the story. Faces glow as they did in his work for Rafe Martin's Rough-Face Girl (Putnam, 1992). The depth of the art is reminiscent of great classic illustrators working in oil, especially N.C. Wyeth. This is not for the faint of heart?no good pirate story is?as pirates are not a God-fearing lot. But it is for those who crave high adventure, death-defying acts, and an unflinching glimpse into history. A rousing read-aloud.?Helen Gregory, Grosse Pointe Public Library, MI
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gr. 3^-5. Finally, equal time for female ruffians. In this picture book for older readers, Yolen's ballad recounts the last stand of Anne Bonney and Mary Reade, real-life women pirates of the early 1700s. When a government vessel attacked their ship, Anne and Mary fought back fiercely. Although they called to their fellow pirates for help, their male comrades (including the women's "husbands" ) lolled below deck, drinking rum and playing cards. The men were hanged, but the women "pled their bellies," and the judge freed the pregnant pirates. Yolen's jingly rhymes are a little forced in places but lend themselves well to theatrical reading aloud. Shannon's very handsome acrylic paintings convey the tale's excitement with dramatic compositions in bold reds against smoky backgrounds. The eighteenth-century feeling is enhanced by pen-and-ink borders and the use of a parchment-colored background for the text. Pirate fans will enjoy Yolen's informative author's note--and the alluring skull and crossed swords on the back cover. Leone McDermott
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